In Review: One Call Institute, 2019

OCI 2019 participants in rehearsal at Saint John’s University, Collegeville, MN

OCI 2019 participants in rehearsal at Saint John’s University, Collegeville, MN

It’s our first audio “yearbook”! In this episode, co-hosts Zack Stachowski and Matt Reichert bring you musical highlights from the 2019 One Call Institute. One Call exists to help support, empower, and engage young pastoral musicians and their advocates. This year, participants gathered from across the country to learn, pray, and make music together. Most importantly, the participants were sent out to continue using their skills and talents in their home communities. Today’s episode explores a selection of the music used by OCI participants during prayer, the end-of-week concert, and final Mass.

So, please open your hymnals!

 

Episode links

For more information about the One Call Institute, visit the program website at www.onecallinstitute.org.

You can help support this podcast by supporting our sponsors. For more information about the sponsors of this episode - Ministry Scheduler Pro software, the Ministry Monday podcast, and Great Catholic Music - visit their links.

You can purchase a copy of the song recordings you heard in this episode: “Nzamuranza” (tr. Mozabique/Cameroon), “Canticle of the Turning” (Cooney), “Take, O Take Me As I Am” (Bell), “Take This Moment” (Bell), “Psalm 63: My Soul is Thirsting” (Angrisano), “Psalm 19: Words of Everlasting Life” (Alonso), “Psalm 25: I Lift My Soul” (True), “Ubi Caritas” (tr. chant), “Table Prayer: God of Life and of the Living” (Joncas), “Psalm 91: Be With Me, Lord” (Hart/Stephan), “Psalm 51: Have Mercy On Us for We Have Sinned” (Petty), “Belong” (de Silva), “10,000 Reasons” (Myrin/Redman), “Salve Regina” (tr. chant), “Da Pacem, Domine” (Franck), “This is Your Justice” (Colson), “In the Morning, In the Evening” (Gaunt), “In the Breaking of the Bread” (Ward), “Dame Tu Paz” (Betancourt), “Soli Deo Gloria” (Haugen), “From the Many, Make Us One” (Alonso), “With Rejoicing Hearts” (Cortez), “Jerusalem, My Destiny” (Cooney), “Dios Nos Bendiga” (Manibusan), and “Go Out” (Petty) .

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"My Soul is Thirsting"

Matt Reichert, Steve Angrisano, and Zack Stachowski (NPM Baltimore, 2018)

Matt Reichert, Steve Angrisano, and Zack Stachowski (NPM Baltimore, 2018)

You likely knew that composer Steve Angrisano is very talented musician and speaker. But, did you also know that he’s a great foot washer? It’s just one of the many things we discussed when we discussed his setting of Psalm 63, “My Soul is Thirsting.” Join co-hosts Zack Stachowski and Matt Reichert as they speak with Steve about songwriting, contemporary music, family ministry, mentorship, and what the Church gets wrong about young people. We’ll also get a little closer to answering the question that’s been on all of our minds: just how big of a nerd was Zack in high school? It’s a conversation you won’t want to miss!

So, please open your hymnal to "My Soul is Thirsting."

 

Episode links

For more information about Steve Angrisano and his other compositions, visit his composer page at OCP. You can also visit his personal website: www.steveangrisano.com.

You can purchase a copy of the score and a copy of the song recording for "My Soul is Thirsting” from OCP. You can also purchase the other song recordings you heard in this episode: Instrumental arrangement of “Gloria from Mass of Light” (David Haas),” At Dawn" (Steve Petrunak), piano recording of “My Soul is Thirsting” (arr. Jon Sarta), "Entrance Antiphon for the Second Sunday of Easter" (Fr. Columba Kelly, OSB), "Go Make a Difference" (Steve Angrisano and Tom Tomaszek), "A Rightful Place" (Steve Angrisano), “Here I Am to Worship" (Tim Hughes), “I Am the Bread of Life” (Steve Angrisano and Tom Booth), “Psalm 63: Mi Alma Esta Sedienta de Ti” (Donna Pena), “Voices that Challenge” (David Haas,” and “You Are the Way” (Steve Angrisano). 

Don't forget to "subscribe" so you'll never miss an episode!

All content of this podcast is property of Look Up Here Productions or its content suppliers and is protected by United States and international copyright laws. For information about the podcast and its use, please contact us.